{"id":620,"date":"2017-12-02T15:28:51","date_gmt":"2017-12-02T20:28:51","guid":{"rendered":"http:\/\/emmaamos.com\/?page_id=620"},"modified":"2017-12-02T20:20:14","modified_gmt":"2017-12-03T01:20:14","slug":"selected-press","status":"publish","type":"page","link":"https:\/\/emmaamos.com\/wordpress\/selected-press\/","title":{"rendered":"Selected Press"},"content":{"rendered":"<ul>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/11\/21\/arts\/design\/what-to-see-in-new-york-art-galleries-this-week.html?_r=1\">What to See in New York Art Galleries This Week: Emma Amos<\/a> \u2013 review by Martha Schwendener for <em>The New York Times<\/em> of \u201cBlack Bodies\u201d at Ryan Lee Gallery, 21 Nov 2017<\/li>\n<li><a href=\"https:\/\/www.smithsonianmag.com\/smithsonian-institution\/why-making-portrait-black-woman-was-form-protest-180967158\/\">Why Making a Portrait of a Black Woman Was a Form of Protest: For Emma Amos, an African-American artist working in the 1970s, the personal was often political<\/a> \u2013\u00a0by Susannah Gardiner for <em>Smithsonian Magazine<\/em>, 13 Nov 2017<\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/09\/06\/arts\/design\/tate-modern-soul-of-a-nation-black-power.html\">A Tate Modern Show Examines Race in the U.S.<\/a> \u2013 review by Roslyn Sulcassept for <em>The New York Times<\/em> of \u201cThe Soul of a Nation: Art in the Age of Black Power\u201d at the Tate Modern, 6 Sep 2017<\/li>\n<li><a href=\"http:\/\/www.elleuk.com\/life-and-culture\/culture\/news\/a37202\/soul-of-a-nation-exhibition-tate-modern\/\">Soul of a Nation: The Exhibition You Need To See This Month<\/a> \u2013 Shannon Mahanty for <cite>Elle UK<\/cite> on \u201cThe Soul of a Nation: Art in the Age of Black Power\u201d at the Tate Modern, 21 Jul 2017 <\/li>\n<li><a href=\"https:\/\/i-d.vice.com\/en_uk\/article\/xwdw8a\/say-it-loud-women-art-and-black-power\">say it loud: women, art and black power<\/a> \u2013 review by Emma Finamore for <em>i-D<\/em> of \u201cThe Soul of a Nation: Art in the Age of Black Power\u201d at the Tate Modern, 19 Jul 2017<\/li>\n<li><a href=\"http:\/\/www.dw.com\/en\/defining-black-art-in-the-age-of-black-power\/a-39652037\">Defining Black art in the age of Black Power<\/a> \u2013 review by Rachel Stewart for Deutsche Welle of \u201cThe Soul of a Nation: Art in the Age of Black Power\u201d at the Tate Modern, 12 Jul 2017<\/li>\n<li><a href=\"https:\/\/news.artnet.com\/exhibitions\/we-wanted-a-revolution-brooklyn-museum-936359\">The Brooklyn Museum\u2019s History of Black Radical Women Draws Its Power From the Grassroots<\/a> \u2013 review by Terence Trouillot for artnet news of \u201cWe Wanted a Revolution: Black Radical Women, 1965-1985\u201d at the Brooklyn Museum, 28 Apr 2017<\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/04\/20\/arts\/design\/review-we-wanted-a-revolution-black-radical-women-brooklyn-museum.html\">To Be Black, Female and Fed Up With the Mainstream<\/a> \u2013 review by Holland Cotter for <em>The New York Times<\/em> of \u201cWe Wanted a Revolution: Black Radical Women, 1965-1985\u201d at the Brooklyn Museum, 20 Apr 2017<\/li>\n<li><a href=\"http:\/\/query.nytimes.com\/gst\/fullpage.html?res=9905EFDF1F3FF932A35752C1A9649C8B63&amp;sec=&amp;spon=&amp;pagewanted=print\">Art in Review: Emma Amos \u2014 \u2018New to New York: A Midcareer Survey\u2019<\/a> \u2013 review by Ken Johnson for <em>The New York Times<\/em>, 1 Nov 2002<\/li>\n<li><a href=\"http:\/\/findarticles.com\/p\/articles\/mi_m1248\/is_n1_v84\/ai_17803719\">\u201cEmma Amos at the Studio Museum in Harlem\u201d<\/a> \u2013 review by Anastasia Aukeman for <em>Art in America<\/em>, Jan 1996<\/li>\n<li><a href=\"http:\/\/query.nytimes.com\/gst\/fullpage.html?res=990CE0D9143CF930A35750C0A963958260&amp;sec=&amp;spon=&amp;pagewanted=print\">Art in Review: Emma Amos \u2018Paintings and Prints, 1982\u20131992\u2019<\/a> \u2013 review by Pepe Karmel for <em>The New York Times<\/em>, 3 Mar 1995<\/li>\n<li><a href=\"http:\/\/query.nytimes.com\/gst\/fullpage.html?res=990CE4D8113BF936A25752C0A963958260&amp;sec=&amp;spon=&amp;pagewanted=print\">Defying the Confines of Labels and Race<\/a> \u2013 review by Vivien Raynor for <em>The New York Times<\/em> of \u201cChanging the Subject,\u201d a traveling show organized by Holly Block, 15 Jan 1995<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>What to See in New York Art Galleries This Week: Emma Amos \u2013 review by Martha Schwendener for The New York Times of \u201cBlack Bodies\u201d at Ryan Lee Gallery, 21 Nov 2017 Why Making a Portrait of a Black Woman Was a Form of Protest: For Emma Amos, an African-American artist working in the 1970s, [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-620","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/comments?post=620"}],"version-history":[{"count":3,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/620\/revisions"}],"predecessor-version":[{"id":749,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/620\/revisions\/749"}],"wp:attachment":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/media?parent=620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}