{"id":58,"date":"2008-01-25T23:10:19","date_gmt":"2008-01-26T04:10:19","guid":{"rendered":"http:\/\/emmaamos.com\/about\/bibliography\/"},"modified":"2017-12-02T18:41:29","modified_gmt":"2017-12-02T23:41:29","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/emmaamos.com\/wordpress\/about\/bibliography\/","title":{"rendered":"Selected Bibliography"},"content":{"rendered":"
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2011<\/td>\nLauren Haynes, \u201cEmma Amos: Spiral Icon<\/a>,\u201d Studio: The Studio Museum in Harlem Magazine<\/cite>, Summer\/Fall 2011, pp. 22\u201323. Cover and article.<\/td>\n<\/tr>\n
2010<\/td>\nThe International Review of African American Art<\/em>, 23:1 (2010), p. 1<\/td>\n<\/tr>\n
<\/td>\n\u201cBright, bold, unique: \u2018Heroes and Folk\u2019 – see a significant artist (Emma Amos) in a great gallery (Lamont in Exeter), Review by Anne Bryant, Seacoastonline.com<\/em>, Jan. 14, 2010<\/td>\n<\/tr>\n
<\/td>\n\u201cBlurring the Lines – Art by Emma Amos is not black or white,\u201d Review by Chloe Johnson, The Wire<\/em>, www.wirenh.com, Jan. 8, 2010<\/td>\n<\/tr>\n
<\/td>\n\u201cEmma Amos: Heroes and Folk,\u201d Review by\u00a0 Linda Chestney,\u00a0 Artscope Magazine<\/em>, Index and pp. 42-43,\u00a0 Vol. 4, No. 6 Massachussetts, Jan-Feb 2010<\/td>\n<\/tr>\n
2008<\/td>\n\u201cThe Spiral Group, a conversation\u00a0 of Emma Amos and Courtney J. Martin,\u201d Romare Bearden and the Modernist Tradition,\u00a0 Essays from the Romare Bearden Foundation Symposium in <\/em>Chicago, 2007, pp. 85-92, Romare Bearden Foundation, NY, 2008.<\/td>\n<\/tr>\n
2007<\/td>\n\u201cEmma Amos: Bodies in Motion,\u201d Dr. Lisa E. Farrington, International Review of African American Art<\/em>, Vol.21, Number 2, Front and Back covers and pp. 32\u201344, Hampton University Museum, 2007.<\/td>\n<\/tr>\n
<\/td>\n\u201cEmma Amos: Arts as Legacy,\u201d Dr. Lisa E. Farrington, Woman\u2019s Arts Journa<\/em>l, Vol. 28, Number 1, Front and inside Covers, and pp. 3\u201311, Rutgers University and Old City Publishing, Inc., Spring\/Summer 2007<\/td>\n<\/tr>\n
2006<\/td>\n100 New York Painters<\/em>, Cynthia Maris Dantzic, pp. 20\u201321, Schiffer Books, 2006<\/td>\n<\/tr>\n
<\/td>\nMeridians<\/em>, Cover Art, Indiana University Press, Vol.7, Number 1, 2006.<\/td>\n<\/tr>\n
2005<\/td>\nNell Irvin Painter, Creating Black Americans<\/em>, Oxford University Press, cover, \u201cPaul Robeson Frieze.\u201d<\/td>\n<\/tr>\n
<\/td>\nThe International Review of African American Art<\/em>, \u201cWorks from Creating Their Own Image: The History of African American Women Artists, pp. 33 to 38, with illustration by Amos.<\/td>\n<\/tr>\n
<\/td>\nCreating Their Own Image: The History of African-American Women Artists<\/em>, Lisa Farrington, PhD, Amos, cover art, Measuring-Measuring<\/em> (collection, Birmingham Museum of Art).<\/td>\n<\/tr>\n
<\/td>\nThe International Review of African American Art<\/em>, \u201cInveterate Outsiders: African American Women Artists Get Their Due (and Pay Them),\u201d by Margaret Rose Vendryes, pp. 30\u201336. Tightrope<\/em> illustration by Amos, p. 33. Volume 20, No.2, Fall. Hampton University Museum, juliette.harris@hampton,edu.<\/td>\n<\/tr>\n
2004<\/td>\nA Century of African American Art: The Paul R. Jones Collection<\/em>, ed. Amalia K. Amaki, pp.19, The University Museum nd Rutgers University Press, 2004.<\/td>\n<\/tr>\n
<\/td>\nTranscultural New Jersey: Diverse Artists Shaping Culture and Communities<\/em>, Volume I, Rutgers Office for Intercultural activities, 2004.<\/td>\n<\/tr>\n
2003<\/td>\nNka: Journal of Contemporary African Art<\/em>, \u201cEmma Amos, Art Matters,\u201d Dr. Sharon Patton, pp. 42\u201347, Fall-Winter, 2002\u20132003.<\/td>\n<\/tr>\n
<\/td>\nLong Island Press<\/em>, \u201cNassau Community College Examines the Role of Our Flag,\u201d by Kenny Herzog, color illustration (Stars and Stripes<\/em>, Amos, 1995) and review of exhibition of work by Peter Max, Dred Scott, Faith Ringgold, Amos and others. Art pg. 35.<\/td>\n<\/tr>\n
<\/td>\nSunday Star Ledger<\/em>, \u201cFeminist Art Grows Mature and Diverse,\u201d Dan Bischoff, color illustration, p. 3 section 4, February 16, 2003.<\/td>\n<\/tr>\n
2002<\/td>\nCity Paper<\/em>, \u201cDarkness Visible: The BMA Exhibits the Sights of Blackness\u201d Lee Gardner February 13.<\/td>\n<\/tr>\n
<\/td>\n\u201cSuccessions; Prints by African Artists from the Jean and Robert Steele Collection\u201d the Art Gallery, University of Maryland, College Park MD.<\/td>\n<\/tr>\n
<\/td>\nThe New York Times<\/em>, \u201cLast Chance,\u201d p. E 38, November 8.<\/td>\n<\/tr>\n
<\/td>\nThe New York Times<\/em>, \u201cArt In Review,\u201d Emma Amos\u2014New to New York: A Midcareer Survey<\/em>, Ken Johnson, Nov. 1.<\/td>\n<\/tr>\n
<\/td>\nA Conversation between Robert Gober and Emma Amos<\/em>, www.artretran.net.<\/td>\n<\/tr>\n
<\/td>\nARTnews<\/em> Magazine, It\u2019s Not Over Until…<\/em>, interview and color reproduction, Paul Gardner, Vol. 101, No. 5, p. 157, May.<\/td>\n<\/tr>\n
<\/td>\nThe Art of History: African American Women Artists Engage the Past<\/em>, Lisa Gail Collins, Rutgers University Press.<\/td>\n<\/tr>\n
<\/td>\nSouthern History Across the Color Line<\/em>, Nell Irvin Painter, The University of North Carolina Press, Chapel Hill and London, Cover, Yo Man Ray Yo.<\/em><\/td>\n<\/tr>\n
2001<\/td>\nThe Other Side of Color: African American Art in the Collection of Camille O. and William H. Cosby, Jr<\/em>, ed. David C. Driskell, Pomegranate Press.<\/td>\n<\/tr>\n
<\/td>\nUnderstanding Art<\/em>, 6th ed., Lois Fichner-Rathus, Harcourt College Publishers, 6th edition, 2001, painting, Measuring-Measuring<\/em>, p. 85.<\/td>\n<\/tr>\n
<\/td>\nSavoy<\/em>, magazine, The Savoy Life\u2014Art Hound: Emma Amos<\/em>, Vol.1, No.3., p. 93, April. color illustration \u201cLet Me Off Uptown.\u201d<\/td>\n<\/tr>\n
<\/td>\nWalker Art Center Calendar<\/em>, \u201cArtist Talk: Emma Amos,\u201d Minneapolis, MN. March.<\/td>\n<\/tr>\n
<\/td>\nMinneapolis Star Tribune<\/em>, Visual Arts: News & Notes<\/em>, Mary Abbe, Sun. Feb.25, p. F2., Washington, DC, New York.<\/td>\n<\/tr>\n
1999<\/td>\nWomen Artists<\/em>, Margaret Barlow, Hugh Lauter Levin Assoc. Inc., NY, 328p. color hardcover book, 1999.<\/td>\n<\/tr>\n
<\/td>\nArt Journal<\/em>, contributor, \u201cContemporary Feminism: Art Practice, Theory, and Activism\u2014An Intergenerational Perspective,\u201d Mira Schor, editor, with Joanna Drucker, Howardena Pindell, and others.<\/td>\n<\/tr>\n
<\/td>\nLooking Forward, Looking Black<\/em>, catalogue, Jo Anna Isaak, editor, essays by Isaak, Amos, and others, Hobart & William Smith Colleges Press, Geneva, NY, 48 pp.<\/td>\n<\/tr>\n
<\/td>\nRe\/writing History: Counternarratives by Contemporary African-American Artists<\/em>, catalogue, Barbara J. Bloemink, curator, Lisa Gail Collins, published by The Katonah Museum of Art, Katonah, NY. 36 pp.<\/td>\n<\/tr>\n
<\/td>\nUpSouth<\/em>, catalogue, editor\/essayist Antoinette Spanos Nordan, \u201cA Conversation: bell hooks and Emma Amos, University of Alabama Visual Arts Gallery, Birmingham, 76 pp.<\/td>\n<\/tr>\n
1998<\/td>\nAfrican-American Art<\/em>, Sharon F. Patton, Oxford History of Art, Oxford University Press, NY and Oxford, pp. 10, 244\u2013247, 1998.<\/td>\n<\/tr>\n
<\/td>\nBlack New York Artists of the Twentieth Century<\/em>, Selections the Schomberg Center Collections, catalogue, The NY Public Library.<\/td>\n<\/tr>\n
<\/td>\nArt by African American Artists in the Collection of the New Jersey State Museum<\/em>, catalogue, The NJ State Museum, Trenton.<\/td>\n<\/tr>\n
<\/td>\n\u201cTaking the Plunge, ARTnews asked 14 artists to go back to the beginning of their creative process and discuss the first steps.\u201d by Paul Gardner, ARTnews<\/em>, pp. 110\u2013113, Vol. 97, No. 2, 2\/98.<\/td>\n<\/tr>\n
1997<\/td>\nConference Report,\u201d New Art Examiner<\/em>, Vol. 25, No. 1, 9\/97, pp. 44\u201345.<\/td>\n<\/tr>\n
<\/td>\nBlack Art and Culture in the 20th Century,<\/em> Richard J. Powell, Thames and Hudson, Ltd., London, pp. 182, 183, illus.<\/td>\n<\/tr>\n
<\/td>\n\u201cThe Last Black Classicist,\u201d article, illus. Measuring-Measuring<\/em>, p. 19, The Sciences<\/em>, published by the New York Academy of Sciences, March\u2013April.<\/td>\n<\/tr>\n
<\/td>\n\u201cA New Park In Atlanta,\u201d article, pp. 60\u201361. The International Review of African American Art,<\/em> Hampton University Press, Vol. 14, No. 2.<\/td>\n<\/tr>\n
1996<\/td>\nAfrican American Art: The Long Struggle<\/em>, Crystal A. Britton, Smithmark Pub., NYC, pp. 67, 86\u201387, back cover illus.<\/td>\n<\/tr>\n
<\/td>\nBearing Witness, Contemporary Works by African American Women<\/em>, Jontyle Robinson, Curator, essays by Johnetta Cole, Lowery Sims, Judith Wilson, and others, Rizzoli Pub., NY 1996, 176 pp.<\/td>\n<\/tr>\n
<\/td>\n\u201cThinking Print,\u201d review, Holland Cotter, The New York Times, 6\/96.<\/td>\n<\/tr>\n
<\/td>\nThinking Print: Books to Billboards, 1980\u201395<\/em>, Deborah Wye, The Museum of Modern Art, Harry N. Abrams, NY, pp. 86, 112, 135.<\/td>\n<\/tr>\n
<\/td>\nBad Girls, Good Girls; Women, Sex & Power in the Nineties<\/em>, Maglin and Perry, Editors, Rutgers Un. Press, book cover and essay.<\/td>\n<\/tr>\n
<\/td>\nCatalogue review, Emma Amos; Paintings and Prints 1982\u201392<\/em>, Howardena Pindell: Paintings and Drawings 1972\u20131992<\/em> by Alicia Craig Faxon, Women\u2019s Art Journal,<\/em> Vol. 17, #1, 1996, pp. 43\u201345.<\/td>\n<\/tr>\n
<\/td>\n\u201cA Visual Forum,\u201d M\/E\/A\/N\/I\/N\/G <\/em>Magazine, Issue 19\/20, 5\/96, p. 5.<\/td>\n<\/tr>\n
1995<\/td>\nAfrican American Visual Aesthetics: A Postmodernist View<\/em>, Edited by David C. Driskell, Living Fearlessly With and Within Differences: Emma Amos, Carol Ann Carter, and Martha Jackson-Jarvis,<\/em> by Sharon Patton, pp. 45, 79, Smithsonian Institute Press.<\/td>\n<\/tr>\n
<\/td>\n\u201cSeeing White,\u201d Peter Erikson, pp. 166\u2013186, Transition: An International Journal<\/em>, published by Oxford U. Press, a publication of W.E.B. Dubois Institute, Harvard University, V5 N3, Fall.<\/td>\n<\/tr>\n
<\/td>\nKilling Rage: Ending Racism<\/em>, bell hooks, The New Press, NY; subject of two chapters, \u201cAesthetic Interventions,\u201d pp. 163\u2013170, and \u201cStraighten Up and Fly Right: Talking With Emma Amos,\u201d pp. 171\u2013193.<\/td>\n<\/tr>\n
1999<\/td>\nNew Jersey State Museum, Trenton, New Jersey Arts Annual: Fine Arts, 62 p. catalogue, invited artist, with George Segal, Bisa Washington and others, June\u2013August.<\/td>\n<\/tr>\n
<\/td>\nJames E. Lewis Museum, Morgan State University, Baltimore, MD, Women United: Aesthetically Multicultural, with Robin Holder, Vivian McDuffie and others, March\u2013April.<\/td>\n<\/tr>\n
<\/td>\nKatonah Museum, Katonah, NY, Re-Righting History: Work by Contemporary African-American Artists, Camille Billops, Kara Walker, Kerry James Marshall, catalogue, March.<\/td>\n<\/tr>\n
<\/td>\nHarlem Youth Development Foundation Benefit exhibition, National Arts Club, Gramercy Park, New York, Women Artists in Celebration of Lois Mailou Jones, Julia Hotton, curator. 24 p. catalogue with Camille Billops, Nanette Carter, Betty Blayton and others, plate, \u201cbell Jar,\u201d p. 18, March.<\/td>\n<\/tr>\n
<\/td>\nSchool of the Art Institute of Chicago, Sexing Myths: Representing Sexuality in African American Art, Kymberly Pinder, curator, with Lyle Ashton Harris, Janet Henry, Lorraine O\u2019Grady, Lorna Simpson, Kara Walker, Carrie Mae Weems and others. January\u2013March.<\/td>\n<\/tr>\n
1998\u20132002<\/td>\nNewark Museum, Wrapped in Pride: Ghanaian Kente and African-American Identity, 347 p. catalogue, February\u2013July 1998; traveling to Fowler Museum of Cultural History, Los Angeles, CA; Smithsonian Institution, National Museum of African Art, Washington, DC; Anchorage Museum of History and Art; Field Museum, Chicago, IL; Oakland Museum of California; Michael C. Carlos Museum, Emory University; Detroit Museum of African-American History; and other cities.<\/td>\n<\/tr>\n
1998<\/td>\nNJ State Museum, Trenton, NJ, Art by African Americans in the Collection.<\/td>\n<\/tr>\n
<\/td>\nSchomberg Center for Art and Culture, New York Public Library, New York, Black New York Artists of the 20th Century: Selections from the Schomburg Center Collections, catalogue, November.<\/td>\n<\/tr>\n
<\/td>\nCheryl McGinnis Gallery, New York, Lineage, April\u2013May.<\/td>\n<\/tr>\n
<\/td>\nDorfman Projects, New York, The Tip of the Iceberg: A Response to New York Museums, with Martha Rosler, Alison Saar, Janet Fish, Carolee Schneeman and others, February\u2013March.<\/td>\n<\/tr>\n
<\/td>\nSchool of the Art Institute of Chicago, IL, Sexing Myths: Representing Sexuality in African American Art, with Lyle Ashton Harris, Robert Colescott, Lorna Simpson, Kara Walker and others, January\u2013March.<\/td>\n<\/tr>\n
1997<\/td>\nTubman African American Museum, Macon, GA, The Art of Collecting African American Art in African American Collections, with Benny Andrews, Romare Bearden, Jacob Lawrence and others, September\u2013November.<\/td>\n<\/tr>\n
<\/td>\nMary Ryan Gallery, New York, Civil Progress, with Romare Bearden, Elizabeth Catlett, Robert Rauschenberg and others, February\u2013March.<\/td>\n<\/tr>\n
<\/td>\nBass Museum of Art, Miami Beach, FL, Real, with Kerry James Marshall, Kara Walker, Whitfield Lovell, Philemona Williamson and others, December 1996-January 1997.<\/td>\n<\/tr>\n
<\/td>\nGallery of Contemporary Art, Sacred Heart University, Fairfield, CT, Beyond Recognition, catalogue, December 1996-January 1997.<\/td>\n<\/tr>\n
1996\u20131999<\/td>\nSpelman College Museum of Fine Art, Atlanta, GA, Bearing Witness: Contemporary Works by African-American Women Artists, exhibition catalogue published by Rizzoli; Exhibits,USA traveled to Gibbes Museum of Art, Charleston, SC; Portland Museum of Art, Portland, ME; Edwin A. Ulrich Museum of Art, Wichita, KS; Museum of Fine Arts, Houston, TX; Museum of Fine Arts, Houston, June\u2013August, 1999.<\/td>\n<\/tr>\n
1996\u20131997<\/td>\nAkus Gallery, Eastern Connecticut State University, Willimantic, CT, Beyond Recognition, 20 p. catalogue, with Camille Eskell, Rimma Gerlovina and Valery Gerlovin and others, August\u2013September. Traveled to Montserrat College of Art Gallery, Beverly, MA, October\u2013November, and Gallery of Contemporary Art, Sacred Heart University, Fairfield, CT, December\u2013January.<\/td>\n<\/tr>\n
1996<\/td>\nMason Gross School of the Arts Gallery, Rutgers University, Douglass Women Artists Series 25th Year Retrospective, 25 Years of Feminism, 25 Years of Women\u2019s Art, 151 p. catalogue, October\u2013November.<\/td>\n<\/tr>\n
<\/td>\nMonmouth Museum, Lincroft, NJ, A Woman\u2019s Place: Artists\u2019 Reflections of Their Culture, Ann Williams, curator, with Audrey Flack, Helen Oji and others, 32 p. catalogue, August\u2013November.<\/td>\n<\/tr>\n
<\/td>\nMuseum of Modern Art, Thinking Print: Prints, Illustrated Books, 1980\u20131995, 160 p. catalogue, June\u2013September.<\/td>\n<\/tr>\n
<\/td>\nCinque Gallery, New York, Uniques, Editions: The Process, April\u2013May.<\/td>\n<\/tr>\n
<\/td>\nNew Jersey State Museum, Trenton, NJ, Six Artists: The 1990\u2019s, with George Segal, Gary Kuehn, Pat Lay, John Goodyear and others, April\u2013September.<\/td>\n<\/tr>\n
<\/td>\nCommunity Arts Gallery, Wayne State University, Detroit, MI, Collecting African American Art, January\u2013February.<\/td>\n<\/tr>\n
1995\u20131996<\/td>\nBronx Museum of the Arts, Division of Labor: Women\u2019s Work in Contemporary Art, Lydia Yee, curator, 84 p. catalogue, February\u2013June. Traveled to Museum of Contemporary Art (MOCA), Los Angeles, CA, February\u2013March.<\/td>\n<\/tr>\n
1995<\/td>\nGallery Swan, New York, Face To Face: Artists On Artists, curated by Dr. George Preston, with Chuck Close, Jim Dine, Bob Thompson and others, September\u2013October.<\/td>\n<\/tr>\n
<\/td>\nRichard Anderson, New York, Songs of Retribution, curated by Nancy Spero, with 100 women artists, January\u2013February.<\/td>\n<\/tr>\n
1994\u20131995<\/td>\nUniversidad de Guadalajara, Mexico, Encuentro Interamerican de Artistas Plasticos: Dialogo Sobre Siete Puntos, with Juan Sanchez, Arnaldo Roche Rabell and others, catalogue, traveling exhibition.<\/td>\n<\/tr>\n
1994<\/td>\nPrintmaking Workshop, New York, The First Half: 1948\u20131971, November\u2013December.<\/td>\n<\/tr>\n
<\/td>\nMunicipal Art Society, New York, Art for Learning, \u201cPercent for Art,\u201d 44 p. catalogue, with Vito Acconci, Candida Alvarez, Arlan Huang and others, September\u2013November.<\/td>\n<\/tr>\n
<\/td>\nAlitash Kebede Gallery, Los Angeles, CA, Romare Bearden and Friends: Emma Amos, Charles Alston, Herbert Gentry, Norman Lewis, June\u2013September.<\/td>\n<\/tr>\n
<\/td>\nMcIntosh Gallery, Atlanta, GA, Important Art of the Nineties, with Alison Saar<\/td>\n<\/tr>\n
<\/td>\nTerry Dintenfass Gallery, New York, Engaged Vision, with Willie Birch, Marina Gutierrez, Sabra Moore and others, February.<\/td>\n<\/tr>\n
<\/td>\nArts America of the United States Information Agency, Rainbow: Prints From Bob Blackburn\u2019s Printmaking Workshop: A Cultural Presentation of the United States of America, French\/English 64 p. color catalogue with Will Barnet, Grace Hartigan, Maren Hassinger, Karl Schrag and others, museum tour<\/td>\n<\/tr>\n
1993<\/td>\nSteinbaum Krauss Gallery, New York, Greetings, December.<\/td>\n<\/tr>\n
<\/td>\n450 Broadway, New York, Red, Gray & Blue, 14 Artists, December.<\/td>\n<\/tr>\n
<\/td>\nWatermark\/Cargo Gallery, Kingston, NY, Robert Blackburn and selections from the Printmaking Workshop of New York, July.<\/td>\n<\/tr>\n
<\/td>\nRotunda Gallery, Unitarian Church, Montclair, NJ, Collector\u2019s Choice: Celebrating Diversity, May.<\/td>\n<\/tr>\n
<\/td>\nMuseum of Modern Art, Paul Sachs and Tatyana Grosman Galleries, New York, Reading Prints, from the permanent collection, with Vito Acconci, Chris Burden, Jimmy Ernst, Robert Gober, Jasper Johns and others, March\u2013July.<\/td>\n<\/tr>\n
<\/td>\nSchimmel Center for the Arts, Pace University, New York, We Are the Stories We Tell: Contemporary Women Artists, Evelyn Leong, curator, with Carol Sun, Sara Pasti and others. March.<\/td>\n<\/tr>\n
<\/td>\nTweed Gallery, City Hall, New York, Women\u2019s Art, Women\u2019s Lives, Women\u2019s Issues, with Joyce Kozloff, Elizabeth Murray, Shirin Neshat, Nancy Spero, Julia Jacquette and others. March.<\/td>\n<\/tr>\n
<\/td>\nCollege of New Rochelle, Castle Gallery, New Rochelle, NY, My\/Self: Your\/Other, with Candida Alvarez, Ida Applebroog, Joyce Scott, Nancy Spero, Carrie Mae Weems, February\u2013March.<\/td>\n<\/tr>\n
<\/td>\nVincent Visceglia Arts Center, Caldwell College, Caldwell, NJ, \u201cThe Printmaking Workshop: A Selection of Works,\u201d February\u2013March.<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nKennesaw State College Library Art Gallery, Marietta, GA, \u201cAt The Heart of Change: Women Artists Explore Color and Culture,\u201d with Tomie Arai, Camille Billops, Kay Miller, Marina Gutierrez, and Carol Sun, catalogue, January\u2013February.<\/td>\n<\/tr>\n
1992\u20131994<\/td>\nNew Jersey State Museum, Trenton, Dream Singers, \u201cStory Tellers: An African American Presence,\u201d<\/span> exhibition and catalogue, with Benny Andrews, Jacob Lawrence, Faith Ringgold, William T. Williams, Mel Edwards, Lorna Simpson and others, traveled to Fukui Fine Arts Museum, Fukui City, Japan; Tokushima Modern Art Museum, Tokushima, Japan; Otani Memorial Art Museum, Otani, Japan; Goshen College Art Gallery; and other cities.<\/td>\n<\/tr>\n
1992<\/td>\nGallery at Bristol-Myers Squibb, Princeton, NJ, \u201cMaster Prints from the Rutgers Center for Innovative Printmaking: The First 5 Years,\u201d July\u2013August.<\/td>\n<\/tr>\n
<\/td>\nBen Shahn Galleries, William Paterson College, Wayne, NJ, \u201cDrawing From Beginning to End,\u201d March\u2013April.<\/td>\n<\/tr>\n
<\/td>\nMabel Smith Douglass Library, Douglass College, New Brunswick, NJ, \u201c20th Anniversary Retrospective Exhibit from the Women Artists Series,\u201d March.<\/td>\n<\/tr>\n
<\/td>\nHillwood Art Museum, Long Island University, Brookville, NY, \u201cPrintmaking Workshop Exhibition,\u201d January\u2013March.<\/td>\n<\/tr>\n
<\/td>\nRobeson Center Gallery, Newark, NJ, \u201cInvitational: A Celebration of Women-Artists at New Jersey Colleges,\u201d New Jersey Project, January\u2013March.<\/td>\n<\/tr>\n
<\/td>\nGallery at Bristol-Myers Squibb, Princeton, NJ, \u201cThe Expanding Circle: A Selection of African American Art,\u201d with Vivian Browne, James Brown, Mel Edwards and others, catalogue, January\u2013February.<\/td>\n<\/tr>\n
<\/td>\nHarlem School of the Arts, New York, Artists of Color, a retrospective exhibition, with St. Claire Cemin, Mel Edwards, Vivian Browne and others, date n.a.<\/td>\n<\/tr>\n
1991\u20131994<\/td>\nLang Communications Corporate Collection, New York, Presswork: The Art of Women Printmakers, from the collection; 118 p. color catalogue, with Jennifer Bartlett, Helen Frankenthaler, Barbara Kruger, Elizabeth Murray and others; traveled to National Museum of Women in the Arts, Washington, DC; Portsmouth Museums, Portsmouth, VA; Spiva Art Center, Joplin, MO; Butler Institute of American Art, Youngstown, OH; and other cities.<\/td>\n<\/tr>\n
1991\u20131992<\/td>\nMuseum of Modern Art, Committed to Print, catalogue, traveling exhibition.<\/td>\n<\/tr>\n
1991<\/td>\nNew Visions Gallery, Atlanta, GA, \u201cAfrican American Works on Paper, from the Cochran Collection,\u201d 69 p. catalogue, traveled to Lamar Dodd Art Center, University of Georgia, and other cities. date n.a.<\/td>\n<\/tr>\n
<\/td>\nThe Artist Project- Portraits of the Real Art World\/ New York Artists 1981\u20131990<\/em>, Peter Bellamy, pp.22, IN Publishing, New York, 1991.<\/td>\n<\/tr>\n
<\/td>\nGallery 484, Works on Paper, New York, August.<\/td>\n<\/tr>\n
<\/td>\nKennesaw State College Library Art Gallery, Marietta, GA, \u201cDiversity and Strength: 6 Contemporary Black Artists,\u201d with Ellen Banks, Juan Logan and others, January\u2013March.<\/td>\n<\/tr>\n
<\/td>\nBirmingham-Bloomfield Arts Association, Birmingham, MI, \u201cThrough the Eyes of Women,\u201d with Elizabeth Catlett, Charnelle Holloway and Dr. Sharon Sutton, February.<\/td>\n<\/tr>\n
<\/td>\nZimmerli Museum, New Brunswick, NJ, Intaglio Printing in the 1980\u2019s, January\u2013February.<\/td>\n<\/tr>\n
1990<\/td>\nColumbia Museum of Arts, Columbia, SC, \u201cSouthern Women Artists, September\u2013November.\u201d<\/td>\n<\/tr>\n
<\/td>\nNewport Art Museum, Newport, RI, \u201cDirections: African American Artists Now,\u201d September\u2013November.<\/td>\n<\/tr>\n
<\/td>\nMcIntosh Gallery, Atlanta, GA, \u201cThe National Black Arts Festival,\u201d with Juan Logan, Joshua Johnson and others, August.<\/td>\n<\/tr>\n
<\/td>\nMuseum of Contemporary Hispanic Art, New York, \u201cThe Decade Show: Frameworks of Identity in the 1980\u2019s,\u201d 364 p. catalogue, June.<\/td>\n<\/tr>\n
<\/td>\nWendell St. Gallery, Cambridge, MA, \u201cWomen Artists of the 90\u2019s,\u201d with Camille Billops and Elizabeth Catlett, April\u2013May.<\/td>\n<\/tr>\n
<\/td>\nSusan Teller Gallery, New York, \u201cInside\/Outside the Home, Women At Work.\u201d with George Biddle, Adolf Dehn, Otto Dix and others, February\u2013March.<\/td>\n<\/tr>\n
<\/td>\nCeres Gallery, New York, \u201cThe Food Show,\u201d with Sue Coe, Quimetta Perle, Carrie Mae Weems, Faith Ringgold and others, January\u2013February.<\/td>\n<\/tr>\n
<\/td>\nMid-Hudson Arts and Science Center, Poughkeepsie, NY, \u201cPrints By African Americans from the Printmaking Workshop,\u201d January\u2013February.<\/td>\n<\/tr>\n
<\/td>\nWunsch Arts Center, Glen Cove, NY, \u201cAu Naturel:The Toxic-Free Print,\u201d with John Ross, Carol Wax, Kathy Caraccio and others, January\u2013February.<\/td>\n<\/tr>\n
<\/td>\nMontclair State College Gallery, Life Hall, Upper Montclair, NJ, \u201cBlack Women in the Arts,\u201d 13 p. catalogue, June\u2013July.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

2011 Lauren Haynes, \u201cEmma Amos: Spiral Icon,\u201d Studio: The Studio Museum in Harlem Magazine, Summer\/Fall 2011, pp. 22\u201323. Cover and article. 2010 The International Review of African American Art, 23:1 (2010), p. 1 \u201cBright, bold, unique: \u2018Heroes and Folk\u2019 – see a significant artist (Emma Amos) in a great gallery (Lamont in Exeter), Review by […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":2,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-58","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":7,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":717,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/58\/revisions\/717"}],"up":[{"embeddable":true,"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/emmaamos.com\/wordpress\/wp-json\/wp\/v2\/media?parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}